12/27/2022 0 Comments Flaming creatures jack smithExpanding on notes originally prepared for the 1997 Jack Smith retrospective at the American Museum of the Moving Image, the monograph includes further material on Smith’s unfinished features- Normal Love and No President-and shorter film fragments, as well as on a few of his preferred Hollywood movies.”ĭesigned by Heung-Heung Chin. Printed offset, llustrated in color and black and white. "The story of Flaming Creatures is augmented with a dossier of personal recollections, relevant documents and remarkable, previously unpublished on-set photographs. monograph details the creative making and legal unmaking of this extraordinary film, a source of inspiration for artists as disparate as Andy Warhol, Federico Fellini, and John Waters, as well as a scandal taken as far as the United States Supreme Court, described by its maker as ‘a comedy set in a haunted movie studio.’ “Reviled, rioted over, and banned as pornographic-even as it was recognized as an unprecedented masterpiece-Jack Smith’s 1963 Flaming Creatures is the most important and influential underground movie ever released in America. On Jack Smith’s Flaming Creatures (and other Secret-Flix of Cinemaroc). Verevis even uses his well-known talents as a top scholar of film remakes to clarify the film’s status as a complicated yet loving ode to Hollywood kitsch.Hoberman, J. Janet Staiger, author of Perverse Spectators: The Practices of Film Reception Flaming Creatures offers a comprehensive study of this classic and controversial avant-garde film, from its production and reception history to its complex, even fraught, place in the New York experimental scene, to scene-by-scene meanings, performance styles, and overall artistic accomplishments. A feast of historical and filmic information. While the film has provoked censorship and admiration, scorn and expressions of the sublime, Verevis reveals Smith's "secret-flix" in rich detail, illuminating both aesthetic and cultural confrontations that now mark the transition to contemporary cinema. This study of Smith’s magnum opus explores its status as a cult film that appropriates the visual texture, erotic nuance, and overt fabrication of old Hollywood exoticism.Ĭonstantine Verevis's Flaming Creatures dissects and maps with great affection the tangled network of intertextual appropriations Jack Smith performed in his landmark film. Tracing the film’s production and reception history, Constantine Verevis argues that it embodies a unique type of cinematic rewriting, one that combines Smith’s multifaceted artistic work with exotic fragments drawn from the cinematic past. In a surreal and visually dense series of episodes, the titular “creatures” reenact scenes drawn from the collective cinematic unconscious, playing on mainstream film culture’s moral code in a way that is at once a love letter to classical Hollywood and a searing send-up of its absurdities. ![]() ![]() Championed and defended by Jonas Mekas and Susan Sontag, among others, the film wildly and gleefully transgresses nearly every norm of Hollywood morality and aesthetics. Banned soon after its first midnight screenings, the prints seized and the organizers arrested, Jack Smith’s incendiary Flaming Creatures (1963) quickly became a cause célèbre of the New York underground.
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